Hector Olivera
Internationally Acclaimed Organist

Hector Olivera is a passionate, gifted, and unique musician, whose personal interpretations of both classical and popular music have amazed and delighted audiences around the world. Born in Buenos Aires, Hector’s first teacher (who was his father) encouraged him to begin playing the pipe organ when he was three. Two years later, Hector was appointed organist of the Church of the Immaculate Conception. At six, he entered the Buenos Aires Conservatory to study harmony, counterpoint, and fugue. Beginning to learn the art of improvisation there, by nine, he had composed a suite for oboe and string orchestra, which was eventually performed by the Buenos Aires Symphony Orchestra.

Preview

Hector entered the University of Buenos Aires when he was 12, where he studied with Hector Zeoli and Juan Francisco Giacobbe. By 18, he had performed more than 300 concerts throughout Latin America, appearing frequently on Argentinean radio and television. During this time, he also served for three years as the senior improvisational accompanist for the Collegium Musicum in Buenos Aires, vastly increasing his prodigious improvisational talent.

	"One of the most gifted artists now before the public." - Pittsburg Post-Gazette
	“His interpretation of Tchaikovsky’s ‘1812 Overture’ demonstrated that his full knowledge of the orchestral score made him comparable to the most celebrated conductors." - La Prensa, Buenos Aires
	“... Entertained his audience with a dazzling display of sonic and technical marvels.... Olivera is an engaging performer that clearly has found his particular niche and fills it splendidly." - The Washington Post
	“Hector Olivera brought the house down with a stupendous performance. From the moment the organ console rose to the stage, the audience was spellbound." - The American Organist
	“Olivera swept the audience with absolute Olympic virtuosity, and that still doesn’t say it.... Hector Olivera is in a class by himself." - Atlanta Journal
	“The audience surged to its feet even before the last chord died away, applauding wildly till Olivera obliged with two encores." - The Portland Press Herald

In 1965, New York’s prestigious Juilliard School of Music offered him a scholarship. He immediately moved to the United States to study with Vernon de Tar and Bronson Reagan. Three years later, Hector won the National Improvisation Contest sponsored by the American Guild of Organists, thereby launching his outstanding professional concert career.

Besides performing many concerts in the United States and throughout Mexico and Latin America, Hector has also played in Australia, France, Germany, Great Britain, Holland, Italy, Japan, New Zealand, Spain, Switzerland, and Taiwan. Notable venues have included the Cathedral of Notre Dame, Carnegie Hall, Royal Albert Hall, the Crystal Cathedral, Spivey Hall, Constitution Hall, Balboa Park, and Dallas’s Myerson Concert Hall. He was also the featured organist in the 1978, 1980 and 1984 Manchester (UK) International Organ Festival.

In 1988, after years of performing in the United States, Hector was invited to play again in Argentina. Upon arriving, he was treated like a national hero with SRO concerts attended by celebrities and heads of state, as well as featured on many radio television shows.

Hector has also performed as guest soloist with many orchestras throughout the world, including the Pittsburgh Symphony, the Fort Wayne Symphony, the Dover-New Philadelphia Orchestra, the Dallas Symphony, the Cleveland Orchestra, the Amsterdam Baroque Ensemble, the Minnesota Orchestra, and the Pasadena Symphony. (Composer Robert Vandall described Hector's performance with the Tuscarawas Philharmonic as "an opportunity to hear and see greatness.") His collaboration with the Pasadena Symphony produced a limited Gold CD edition featuring Hector in the Saint-Saens Symphony No. 3.

In 1992, Hector was featured at the American Guild of Organists convention at the Fox Theatre in Atlanta performing the world premiere of a commissioned work written by William Albright. Later, from this same stage, Hector performed on Garrison Keillor's "A Prairie Home Companion.” According to Keillor, Hector "literally stopped the show!"

In 1996, again in Atlanta, Hector performed at Spivey Hall in connection with the Olympic games, receiving many standing ovations and rave reviews. In 2000, Hector performed a solo memorial concert in New York City’s St. Paul the Apostle Church as a tribute to his greatest hero and role model, organist Virgil Fox. He played a second Virgil Fox Memorial Concert at Grace Cathedral, San Francisco, in 2004. Hector was invited again to perform for the American Guild of Organists National Convention in 2002, where his transcription of Stravinsky's "Firebird Suite" spontaneously brought the large audience of peers to their feet. Again, in 2004, his appearance before the Guild’s National Convention in Los Angeles was considered an historic triumph by 2,200 cheering organists, who gave him four standing ovations in 45 minutes.

In addition to performing at concert halls throughout the world and dedication recitals in churches and symphony halls, Hector consults on the design of new and refurbished pipe and electronic organs. He currently works with, and concertizes and gives master classes for, Roland Organs. Meanwhile, Rodgers Instruments is completing a large touring organ for his use throughout the world.

Hector continues to thrill audiences with both solo classical literature and his own orchestral transcriptions, now released on DVD and more than 20 classical, contemporary, and film score CDs.

Although he is most famous for his prodigious technical proficiency, Hector’s amazing affect on audiences has made many of the most sophisticated and demanding organ aficionados claim that Hector Olivera is one of the greatest organists in the world today.

Internationally acclaimed organist Hector Olivera is available to perform at your next special event. Contact us to book Hector Olivera.

corporateartists.com is a division of The Bazel Group, Inc. and acts as an entertainment broker and producer for corporate and private events. We do not claim or represent ourselves as the exclusive agent or management for all of the artists on this website. We are not a fan site - and are unable to answer requests for press interviews, autographs, personal inquiries, phone numbers etc. We dedicate our priority to serious inquiries only.